Proceedings of the Musical Association Volume 20.cMusical Association
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Author: Musical Association
Number of Pages: 56 pages
Published Date: 01 Mar 2012
Publisher: Rarebooksclub.com
Publication Country: Miami Fl, United States
Language: English
ISBN: 9781130986808
File size: 14 Mb
File Name: Proceedings.of.the.Musical.Association.Volume.20.pdf
Download Link: Proceedings of the Musical Association Volume 20
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This historic book may have numerous typos and missing text. Purchasers can download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1894 Excerpt: ...c -1_:1 Raised C Major. It should, however, be pointed out that the extreme fundamental discords upon the leading note and raised subdominant of the major key, and upon the major sixth of the minor key, are far more practicable, and consequently correspondingly more frequently employed as chords of the minor ninth. Fundamental Discords Of The Ninth (Major and Minor). By adding a diatonic note a third above the minor seventh we obtain (i) in the major key, seven chords of the ninth, whereof four are major and three minor--Fig. 10. Four major gths. Three minor gths. and (2) in the minor key, four chords, one major and three minor--Fig. 11. One major gth. Three minor oths. In both the major and mintir keys the ninth upon the tonic, it will be observed, is diatonically major. The chromatic minor form of this discord is, however, available in both modes--It has been shown that the diatonic concords of the two minor keys are available chromatically in the major key. Similarly the chords of the minor ninth in those keys are also available chromatically in the major key. Applying this principle we may obtain the following table of fundamental discords of the major and minor ninth possible in C major--Fig. 13 Four major gths. Seven minor gths. And, moreover, if we now combine in one diagram the whole of the chords of the minor ninth in C minor and A minor, the perfect analogy existing between the major key and its tonic and relative minors, upon which I have already enlarged, will be strikingly illustrated--Seven minor gths in C major. For the sake of obtaining a symmetrical diagram I have omitted the tonic major ninth in C minor and A minor. They are, however, both common to the major key; in which it will be seen they form the first and fourth chords. The int...
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